The freelancer roulette
A different editor every week means a different read on brand voice every week. Your client notices before you do.
Your video editor cuts Reels, TikToks, and ad creative to spec, every time. Raw footage in, finished exports out. Same editor on every project, so the back-and-forth shrinks instead of repeating.
One editor, dedicated to your account, hired in 10 to 15 business days.
$500 recruitment fee to start the search. One time, per hire.
Multi-cam sequencing, color-matched cuts across your client's asset library
Fast-turn short-form for high-volume social accounts
Color grading for higher-end brand and ad creative
Versioned review so feedback doesn't get lost in a Slack thread
The freelancer roulette
A different editor every week means a different read on brand voice every week. Your client notices before you do.
The queue problem
Video sits behind ten other jobs on one generalist's desk. "We'll have it Friday" quietly becomes "next Friday." Nobody tells the client until they ask.
The revision spiral
"Make it feel more us" costs a full day when the editor doesn't know what "us" means. A dedicated editor who knows your account stops needing that round at all.
Every one of these is checkable. No soft language, no ranges, no “get in touch to find out.”
A supervised office, a dedicated workstation, and a commercial-grade rendering setup for your editor. Not a laptop on a kitchen table dropping mid-export.
Even creative work has a response-time standard, verified, not just promised.
Want to hire your editor away for good? You can, after 24 months, or sooner with a published buyout. No sneaking around required.
Not a "contact us" pricing page.
Both are office-based, full-time, and single-client. The difference is what they own when they walk in the door.
$1,995/month
Handles the full cut: assembly, captions, exports, and revisions, against a clear creative brief.
$2,595/month
Owns creative direction for your video output, builds the style guide the Operator works from, and runs harder color and motion work.
What Your Video Production Team Can Look Like
The kind of specialists we place: office-based in Cebu, full-time, and single-client.

Dani V.
Video Lead
Keeps finished video flowing, no scramble.
Senior Operator6 years experience

Rico B.
Short-Form Editor
Turns raw footage into daily short-form.
Operator4 years experience

Jana M.
Reels & Shorts Editor
Wins the first three seconds, every time.
Operator3 years experience

Emilio C.
Post-Production Editor
Adds the polish that looks produced.
Operator3 years experience
Yes. Your editor works from your templates, LUTs, lower-thirds, and caption styles, and stays on them across every cut. Because they're single-client to your agency, they learn your kit once instead of re-learning it every project like a rotating freelancer.
Because your editor is full-time and single-client, standard short-form cuts usually turn around same-day to a couple of days depending on volume and revisions. It's a steady pipeline that clears, not a queue you wait behind other clients in.
Their core job is editing: turning your raw footage and brand assets into finished exports. They can source stock, B-roll, and music to fill gaps, but they aren't a shoot crew. If you need original filming, we scope that separately.
Tell us your platforms, your volume, and your brand's tone. We'll bring a real match to the call.